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It was admitted today, even by his most ardent fans, that Wes Anderson has been rereleasing the same movie over and over again for his whole career.


“It started as a genuine mistake with my second movie, Rushmore. Somehow the studio accidentally sent out a print of Bottle Rocket, a movie I’d made a couple of years before. I was bracing myself for complaints, but in fact all the reviews were very positive, commenting on the visual style which they said was fast becoming a Wes Anderson trademark.


“It got me wondering how far I could push this, so a few years later I released it again as The Royal Tenenbaums. Again, raves across the board, especially for my ‘distinctive visual aesthetic’. I mean, didn’t anyone notice the actors and the script were exactly the same?


“What really makes me laugh is when they talk about how more and more famous actors appear in my movies these days, even in tiny roles, which they think shows how everyone wants to work with me. They’re the same damn actors! They just weren’t famous in the 90s when I started out.”


Critic and long time Wes Anderson groupie Mark Kermit wasn’t at all embarrassed by the revelation, saying if anything it made him feel better about having written the same gushing review every time.


image from pixabay



A Hollywood legend has passed. Colleagues waxed lyrical in the blandest of terms. Friends spoke of his untimely death caused by a lifestyle of doing things that will kill you. Followed by gushing tributes from people he owed money to.


Fortunately his obituary provided a translation for those not versed in Hollywood speak, he was described as a loving husband (meaning gay). A devoted father (so a cuckold then). The life and soul (a drunk). An Artist (unprofitable). A Visionary (bat $hit crazy). And uncompromising (definitely racist).


One Director described him as a mercurial talent (which means always late for work). An Action Hero (so he couldn't act). A Heartthrob (he definitely couldn't act). And was a firm Fan's favourite (so, hated by cast and crew).


He was one of the greats - old school (so a nonce, basically).





The tendency of actors to use awards ceremonies as a platform for long self-indulgent speeches has long been the bane of TV producers trying to prevent the show overrunning.


Repeat offender Adrien Brady spoke for seemingly several hours after winning 2025’s Best Actor Oscar for his role in The Brutalist, thanking everyone he ever met as well as setting out his philosophy of life, the universe and everything.


“He even shared some favourite recipes at one point,” said one veteran Oscars watcher. “Though to be honest, I may have nodded off and dreamed that bit.”


“It was exactly like the film,” said Dave Acrylic, manager of the Vue Multiplex cinema in Hanworth. “It carried on long after you’d got the point it was trying to make, and in the end just got tedious.


”Which made me think, why not just ‘play off’ any film that outstays its welcome by just rolling the closing credits?”


He added that he hadn’t yet worked out exactly when this would be for every film, though in the case of The Brutalist he thought “probably about the beginning of the third day.”


image from pixabay


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